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Mythos Atlas

Japanese Pantheon

Ame-no-Uzume

天宇受賣命(Ame-no-Uzume-no-Mikoto)

Also known as Ame-no-Uzume-no-Mikoto, Uzume, Okame

Illustration of Ame-no-Uzume, a deity of the Japanese Pantheon
Illustrative imageIllustration of Ame-no-Uzume. Generated with an AI image model; not a historical artifact. About our images
  • dawn
  • revelry
  • dance
  • performance
  • meditation

Goddess of dawn, mirth, and revelry. Her wild, comedic dance lured Amaterasu from the Heavenly Rock Cave, restoring light to the world. Ancestral deity of performing arts.

About Ame-no-Uzume

The Goddess Who Restored the Sun

Ame-no-Uzume-no-Mikoto holds one of the most pivotal roles in Japanese mythology. When Amaterasu withdrew into the Heavenly Rock Cave and darkness engulfed the world, it was Ame-no-Uzume's bold, outrageous performance that ultimately saved creation by drawing the sun goddess back into the light.

The Sacred Dance

According to the Kojiki and Nihon Shoki, when all other attempts to coax Amaterasu from her cave failed, Ame-no-Uzume took action. She overturned a wooden tub before the cave entrance, mounted it as a stage, and began to dance. Her movements grew increasingly wild and ecstatic. She partially disrobed, exposing herself in a way that caused the assembled kami to burst into thunderous laughter. The sound puzzled Amaterasu—how could there be merriment when the world was in darkness? Her curiosity overcame her grief, and she peeked out to see what caused such joy. At that moment, the strong-armed god Ame-no-Tajikarao pulled her fully out, and light returned to the world.

The Entertainer's Ancestor

Ame-no-Uzume is considered the divine ancestor of the Sarume clan, traditional shrine performers, and by extension all performing artists in Japan. Her dance before the cave is regarded as the first theatrical performance—a sacred act that saved the world through the power of entertainment. This connects her to the origins of kagura (Shinto theatrical dance) and influenced the development of Noh and other traditional performing arts.

Confronting Sarutahiko

When the gods sent Ninigi (Amaterasu's grandson) to rule the earth, they encountered Sarutahiko-Okami, a fearsome earthly kami blocking the path. While the other heavenly deities hesitated, Ame-no-Uzume boldly approached him. Some accounts say she bared herself again; others describe her simply showing fearless confidence. She convinced Sarutahiko to guide Ninigi's descent. Ame-no-Uzume and Sarutahiko later married, linking the heavenly and earthly realms.

The Okame Mask

Ame-no-Uzume's face is the basis for the Okame (or Otafuku) mask—the round, cheerful, smiling female face seen throughout Japanese folk art and at festivals. This mask represents good fortune, mirth, and fertility. Her image reminds worshippers that joy, laughter, and bold action can overcome even the darkest circumstances.

Origin story

When **Amaterasu** retreated into the Ama-no-Iwato cave and plunged the world into darkness, the eight million kami gathered in desperation. Ame-no-Uzume overturned a tub, stamped upon it, and performed an ecstatic, risque dance that provoked such uproarious laughter among the gods that Amaterasu's curiosity drew her forth.

Across traditions

Parallel figures

Figures who play a role like Ame-no-Uzume's in other traditions.

Worship and cult

Temples, festivals, and practices recorded for Ame-no-Uzume

She danced the sun out of the cave. Shrine maidens and comic kagura inherit that file. The cult is performance, not a quiet inner hall.

Sacred sites

  • Kagura stages; the cave dance as origin of shrine performance

In the atlas

Where Ame-no-Uzume appears

Sources and further reading

Source notes

These references are recorded in the catalog. Their passage wording and translation have not been checked, so quotations are not displayed here.

  • Kojiki

    Catalog date: 712 CE

Appears in

Ancient and classical works featuring this figure.

About this entry

By Elizabeth Stein for Mythos Atlas. . Editorial notes are grounded in the site's cited sources and can be challenged through the contact page.

Parallels are editorial comparisons across traditions: a shared role does not, by itself, establish a shared origin.

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Genealogy

Family tree

Ame-no-Uzume's parents, consorts, children and rivals, as recorded in the atlas.