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天宇受賣命(Ame-no-Uzume-no-Mikoto)
Also known as: Ame-no-Uzume-no-Mikoto, Uzume, Okame
By Elizabeth Stein for Mythos Atlas. About the author. Editorial notes are grounded in the site's cited sources and can be challenged through the contact page.

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Ame-no-Uzume-no-Mikoto holds one of the most pivotal roles in Japanese mythology. When Amaterasu withdrew into the Heavenly Rock Cave and darkness engulfed the world, it was Ame-no-Uzume's bold, outrageous performance that ultimately saved creation by drawing the sun goddess back into the light.
According to the Kojiki and Nihon Shoki, when all other attempts to coax Amaterasu from her cave failed, Ame-no-Uzume took action. She overturned a wooden tub before the cave entrance, mounted it as a stage, and began to dance. Her movements grew increasingly wild and ecstatic. She partially disrobed, exposing herself in a way that caused the assembled kami to burst into thunderous laughter. The sound puzzled Amaterasu—how could there be merriment when the world was in darkness? Her curiosity overcame her grief, and she peeked out to see what caused such joy. At that moment, the strong-armed god Ame-no-Tajikarao pulled her fully out, and light returned to the world.
Ame-no-Uzume is considered the divine ancestor of the Sarume clan, traditional shrine performers, and by extension all performing artists in Japan. Her dance before the cave is regarded as the first theatrical performance—a sacred act that saved the world through the power of entertainment. This connects her to the origins of kagura (Shinto theatrical dance) and influenced the development of Noh and other traditional performing arts.
When the gods sent Ninigi (Amaterasu's grandson) to rule the earth, they encountered Sarutahiko-Okami, a fearsome earthly kami blocking the path. While the other heavenly deities hesitated, Ame-no-Uzume boldly approached him. Some accounts say she bared herself again; others describe her simply showing fearless confidence. She convinced Sarutahiko to guide Ninigi's descent. Ame-no-Uzume and Sarutahiko later married, linking the heavenly and earthly realms.
Ame-no-Uzume's face is the basis for the Okame (or Otafuku) mask—the round, cheerful, smiling female face seen throughout Japanese folk art and at festivals. This mask represents good fortune, mirth, and fertility. Her image reminds worshippers that joy, laughter, and bold action can overcome even the darkest circumstances.
When **Amaterasu** retreated into the Ama-no-Iwato cave and plunged the world into darkness, the eight million kami gathered in desperation. Ame-no-Uzume overturned a tub, stamped upon it, and performed an ecstatic, risque dance that provoked such uproarious laughter among the gods that Amaterasu's curiosity drew her forth.
Both are dawn goddesses, though Ame-no-Uzume's role centers more on restoring light through action
Both are goddesses of dawn in Indo-European influenced traditions
“Ame-no-Uzume-no-Mikoto bound up her sleeves with a cord of heavenly hikage vine, tied around her head a head-band of the heavenly masaki vine, bound together bundles of sasa leaves to hold in her hands, and overturning a bucket before the heavenly rock-cave door, stamped resoundingly upon it.”