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Mythos Atlas

Mesoamerican Pantheon

Ek Chuaj

Also known as Black Scorpion, God M, Ek Chuah

Illustration of Ek Chuaj, a deity of the Mesoamerican Pantheon
Illustrative imageIllustration of Ek Chuaj. Generated with an AI image model; not a historical artifact. About our images
  • merchants
  • cacao
  • war
  • trade routes

The black-faced Maya god of merchants, cacao, and traveling traders. Ek Chuaj protects those who journey along trade routes and blesses the cultivation of sacred cacao.

About Ek Chuaj

Patron of Merchants

Ek Chuaj appears with a black-painted face and a distinctive drooping lower lip. He carries a merchant's pack on his back and a staff, embodying the traveling traders who connected Maya cities.

Lord of Cacao

Cacao was currency in Mesoamerica, making Ek Chuaj both patron of merchants and lord of wealth. Cacao plantation owners held festivals in his honor, sacrificing dogs with cacao-colored markings.

Dual Nature

Despite his association with peaceful trade, Ek Chuaj also had a warlike aspect. Merchants traveled through dangerous territories, requiring divine protection.

Origin story

Ek Chuaj emerged as the patron of trade when the first merchants traveled between the great Maya cities, carrying cacao and precious goods.

Across traditions

Parallel figures

Figures who play a role like Ek Chuaj's in other traditions.

Worship and cult

Temples, festivals, and practices recorded for Ek Chuaj

Black scorpion merchant god in the codices. Cacao and the road. Cult is trade, not a tourist chocolate rite.

Sacred sites

  • Merchant and cacao associations in the Maya area

Sources and further reading

Source notes

These references are recorded in the catalog. Their passage wording and translation have not been checked, so quotations are not displayed here.

  • Lewis Spence, The Myths of Mexico and Peru (1913)

    Catalog date: Spence 1913, from Maya sources

About this entry

By Elizabeth Stein for Mythos Atlas. . Editorial notes are grounded in the site's cited sources and can be challenged through the contact page.

Parallels are editorial comparisons across traditions: a shared role does not, by itself, establish a shared origin.

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