The Tablets
The fullest copy of the Babylonian poem Atrahasis ('Exceedingly Wise') was written out on three tablets at Sippar in the 17th century BCE by a junior scribe named Ipiq-Aya, in the reign of Ammi-saduqa. Later Assyrian fragments and the flood tablet of the Epic of Gilgamesh (Tablet XI) retell parts of it. The standard edition is W. G. Lambert and A. R. Millard, Atra-hasis: The Babylonian Story of the Flood (1969). Gaps in the tablets mean some episodes are reconstructed.
Too Many Voices
When the gods, as the poem begins, were like men, the lesser Igigi gods bore the work of digging the rivers and canals. They burned their tools and surrounded Enlil's house in revolt. Enki proposed a solution: the mother goddess, Belet-ili or Mami, mixed clay with the flesh and blood of a slain god, We-ila, who had intelligence, and fourteen birth goddesses shaped the first seven pairs of humans to take the gods' labor on themselves. But humanity multiplied until their clamor kept Enlil from sleep. Plague, drought, and famine followed; each time Ea whispered a way for Atrahasis to spare his people.
The Boat
Enlil resolved on a flood. Ea spoke through a reed wall, telling Atrahasis to demolish his house and build a vessel, to load animals and craftspeople, to seal pitch against the coming waters.
Deluge and Remorse
Storm gods shattered the dikes. For seven days and nights the flood erased cities. When waters fell, Atrahasis offered sacrifice; the hungry gods gathered “like flies” over the sweet scent. Enlil raged that anyone survived, and Enki defended what he had done. Then, instead of annihilation, the gods accepted a new design with limits built in: some women would be barren, a demon would snatch babies from their mothers' laps, and certain classes of priestesses would not bear children, so that humanity's numbers and noise would never again threaten the gods' rest.
Atrahasis stands with Utnapishtim as Mesopotamia’s answer to why floods come, and why the gods themselves cannot bear a silent world.
Why It Matters
The poem was among the first Mesopotamian texts recognised as a close parallel to the biblical flood story, and it explains more than the flood: why humans exist (to do the gods' work), why they must die, and why births are limited.