Aztec Pantheondeath
The Journey to Mictlan

The perilous four-year journey of the soul through the nine levels of the Aztec underworld, facing wind of obsidian knives, crushing mountains, and the final crossing to rest before Mictlantecuhtli.
An editorial retelling
The story
The Departure of the Soul
When an Aztec died a common death (not in battle, sacrifice, childbirth, or drowning), their tonalli began the journey to Mictlan, the land of the dead. The body was wrapped in cloth and cremated with a yellow dog to serve as a guide, along with provisions of food, water, jade beads to pay the lords of death, and paper garments to protect against the trials ahead.
The journey would take four years. During this time, the living performed rituals on the anniversary of the death, burning offerings that would reach the traveling soul.
The Nine Levels
The path to Mictlan passed through nine challenging levels:
- Itzcuintlan - The Place of the Dog, where the yellow dog must recognize and help the soul cross a great river.
- Tepetl Monamicyan - Where two mountains clash together, and the soul must pass between them at exactly the right moment.
- Itztepetl - The Obsidian Mountain, where the soul must climb a peak covered in razor-sharp obsidian.
- Itzehecayan - The Place of the Obsidian Wind, where a freezing wind full of obsidian knives cuts through the soul.
- Pancuecuetlacayan - Where bodies hang like flags, flapping in an endless wind.
- Temiminaloyan - Where arrows are shot at the soul from all directions.
- Teocoyohuehualoyan - Where wild beasts devour hearts.
- Izmictlan Apochcalocan - The Place of Obsidian Fog, where the soul can see nothing and must navigate by feel.
- Chicunamictlan - The Place of the Dead, the final level where Mictlantecuhtli and Mictecacihuatl rule.
The Lord and Lady of Death
Mictlantecuhtli, the skeletal lord of the dead, and his wife Mictecacihuatl awaited souls in the lowest level. They were not evil but simply ruled their domain of darkness. When the soul finally arrived, it offered the jade beads brought from the living world.
The soul then ceased to exist as an individual, dissolving into the collective realm of the dead. This was not punishment but the natural end of those who died ordinary deaths. It was simply the way of things.
Exceptions to the Journey
Not all souls traveled to Mictlan. Warriors who died in battle and sacrificial victims went to accompany the sun across the sky. Women who died in childbirth joined the sun on its journey through the underworld. Those who drowned or were struck by lightning went to Tlalocan, the paradise of Tlaloc, the rain god.
These alternate destinations were considered honors. Mictlan was not a place of punishment but simply the destination of common mortality. The Aztecs accepted death as part of the cosmic order, a debt that all living things owed to the gods who had sacrificed themselves to create the world.
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Highlights
The soul is cremated with a yellow dog as guide. It passes through nine levels of trials. Obsidian wind and crushing mountains test the dead. Mictlantecuhtli and Mictecacihuatl receive the soul. Warriors and sacrifices go elsewhere.
Why it matters
This underworld geography shaped Aztec funerary practices. The emphasis on provisions for the dead, the four-year mourning cycle, and the importance of proper burial all derive from this belief system. The myth also justified different social deaths: warriors and mothers received special afterlives as reward for their sacrifices.
Quick answers
- What is the story of The Journey to Mictlan about?
- The perilous four-year journey of the soul through the nine levels of the Aztec underworld, facing wind of obsidian knives, crushing mountains, and the final crossing to rest before Mictlantecuhtli.
- What themes does The Journey to Mictlan explore?
- The atlas lists these themes for The Journey to Mictlan: mortality and acceptance, preparation for death, cosmic order, and the dissolution of self.
Sources and further reading
By Elizabeth Stein for Mythos Atlas. About the author. Editorial notes are grounded in the site's cited sources and can be challenged through the contact page.
Works cited
Historia General de las Cosas de Nueva Espana
Bernardino de Sahagun
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