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The Twelve Labors of Hercules

Illustration of the myth "The Twelve Labors of Hercules" from the Roman Pantheon
Illustrative imageStory illustration. Historical objects are identified separately with their museum records. Generated with an AI image model; not a historical artifact. About our images

Driven mad by Juno's curse, Hercules kills his own family. To atone, he must complete twelve impossible tasks for King Eurystheus, ultimately achieving redemption and immortality through his heroic labors.

An editorial retelling

The story

The Crime and the Penance

Hercules, son of Jupiter by the mortal Alcmena, was the mightiest hero the world had ever seen. But Juno, queen of the gods, despised him as living proof of her husband's infidelity. She sent a madness upon him, and in his frenzy, Hercules killed his children by Megara. This account places the catastrophe before the labors, following the chronology in Pseudo-Apollodorus; Euripides presents a different sequence.

When sanity returned and Hercules saw what he had done, he was consumed by grief. He consulted the Oracle at Delphi, which commanded him to serve his cousin King Eurystheus of Tiryns for twelve years. Whatever tasks Eurystheus set, Hercules must complete. Only then would he find absolution.

The First Six Labors

The Nemean Lion: This beast's hide was impervious to weapons. Hercules tracked it to its cave, blocked one entrance, and strangled it with his bare hands. He wore its skin as armor thereafter.

The Lernaean Hydra: A serpent with nine heads, one immortal. Each time Hercules cut off a head, two grew back. His nephew Iolaus cauterized each stump while Hercules severed the heads, until only the immortal head remained. This he buried under a great rock.

The Ceryneian Hind: A golden-antlered deer sacred to Diana. Hercules tracked it for a full year before capturing it alive, then explained to the goddess that he acted under divine command.

The Erymanthian Boar: A monstrous beast terrorizing the mountainside. Hercules chased it through deep snow until it was exhausted, then bound it and carried it to Eurystheus, who hid in a bronze jar from terror.

The Augean Stables: King Augeas kept vast herds whose stables had not been cleaned in thirty years. Hercules diverted two rivers to wash the filth away in a single day.

The Stymphalian Birds: Man-eating birds with bronze beaks and metallic feathers. Hercules startled them into flight with a rattle forged by Vulcan, then shot them down with arrows dipped in the Hydra's venom.

The Final Six Labors

Eurystheus devised ever more dangerous tasks, hoping Hercules would perish. But with each labor, the hero's fame only grew.

The Cretan Bull: The father of the Minotaur, a beast of immense power. Hercules wrestled it into submission and brought it back alive.

The Mares of Diomedes: Horses that ate human flesh. Hercules fed their cruel master to them, which calmed their bloodlust, then led them away.

The Belt of Hippolyta: Queen of the Amazons, who was willing to give Hercules her belt freely. But Juno spread a rumor that Hercules meant to kidnap the queen, and battle ensued. Hercules killed Hippolyta and took the belt.

The Cattle of Geryon: A three-bodied giant dwelling on the western edge of the world. Hercules killed Geryon and his two-headed dog Orthrus, then drove the cattle back to Greece through countless perils.

The Apples of the Hesperides: Golden apples guarded by a dragon that never slept. Hercules held up the sky while Atlas fetched the apples, then tricked the Titan into resuming his burden.

The Capture of Cerberus: The three-headed hound guarding the underworld. Hercules descended to Pluto's realm, obtained permission to borrow Cerberus if he could subdue it without weapons, and carried the beast to the terrified Eurystheus.

Apotheosis

With the labors complete, Hercules was free. Though more trials awaited him, his ultimate destiny was assured. After death, he ascended to Olympus, reconciled at last with Juno, and married the goddess Hebe. He became the divine patron of heroes, proof that even the most terrible sins could be redeemed through courage and perseverance.

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Highlights

Hercules kills his family in Juno's madness. He slays the Nemean Lion and Hydra. He cleans the Augean Stables. He descends to the underworld for Cerberus. He achieves divine redemption.

Why it matters

The Twelve Labors represent the quintessential heroic journey—impossible tasks completed through strength, cunning, and endurance. Hercules became the model for Roman virtus (manly virtue) and was worshipped throughout the Roman world. His story influenced every subsequent hero's tale in Western literature, from medieval knights to modern superheroes.

Quick answers

What is the story of The Twelve Labors of Hercules about?
Driven mad by Juno's curse, Hercules kills his own family. To atone, he must complete twelve impossible tasks for King Eurystheus, ultimately achieving redemption and immortality through his heroic labors.
What themes does The Twelve Labors of Hercules explore?
The atlas lists these themes for The Twelve Labors of Hercules: redemption through labor, perseverance against odds, atonement for sin, the hero's journey, and divine testing.

Other versions

2 alternate accounts in the catalog.

  • Pseudo-Apollodorus, LibraryRoman imperial period

    Heracles kills his children before consulting Delphi and entering the service of Eurystheus. The oracle initially prescribes ten labors.

    Note: This chronology should not be combined with Euripides’ placement of the family tragedy after the labors.

    Read Library 2.4.12Translation: James George Frazer. The account above is an editorial summary.

  • Euripides, Herakles5th century BCE

    Heracles has already undertaken the labors when the play begins. After returning from the underworld, he is driven into the madness in which he kills his wife and children.

    Note: In this play, the family tragedy cannot be the cause of the labors.

    Read Herakles 15–25, 822–1015Translation: Robert Potter; adapted by Mary Ebbott, Casey Dué, and Miriam Kamil. The account above is an editorial summary.

Myths changed across centuries and communities; these differences are part of how the stories were preserved.

The myth in art

Documented objects and later interpretations. Dates refer to the objects, not the events of the story.

Sources and further reading

By Elizabeth Stein for Mythos Atlas. . Editorial notes are grounded in the site's cited sources and can be challenged through the contact page.

Works cited

  1. Libraryprimary

    Apollodorus · 2.4.8-2.5.12

  2. Metamorphosesprimary

    Ovid · 9.1-272

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