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Mythos Atlas

Aboriginal Australian TraditionsAncestral Sisters (Western and Central Deserts)

The Seven Sisters (Minyipuru, Kungkarangkalpa)

Minyipuru; Kungkarangkalpa(Minyipuru (Martu); Kungkarangkalpa or Kungkarrangkalpa (Aṉangu))

Also known as Minyipuru (Martu), Kungkarangkalpa (Aṉangu Pitjantjatjara Yankunytjatjara), the Pleiades

Name plate for The Seven Sisters (Minyipuru, Kungkarangkalpa)
Illustrative imageIllustration of The Seven Sisters (Minyipuru, Kungkarangkalpa). Drawn by code as a decorative plate; not a historical artifact. About our images
  • the Seven Sisters songline
  • the Pleiades
  • women's strength and sisterhood

Ancestral sisters whose flight across the Western and Central Deserts, pursued by a man who uses magic, is recorded in songlines of the Martu, Ngaanyatjarra, and Aṉangu Pitjantjatjara Yankunytjatjara peoples, and who became the Pleiades.

About The Seven Sisters (Minyipuru, Kungkarangkalpa)

A songline across many Countries

The Seven Sisters travel across the Western and Central Deserts, through the Countries of the Martu (who call them Minyipuru), the Ngaanyatjarra, and the Aṉangu Pitjantjatjara Yankunytjatjara (who call them Kungkarangkalpa), pursued by a man who desires one or all of them. Their journey forms songlines that cross hundreds of kilometres of what are now Western Australia, South Australia, and the Northern Territory, and the places where they camped, rested, and escaped are marked in the land.

Shared through Songlines

The custodians of these songlines worked with the National Museum of Australia to share parts of the story publicly in the exhibition Songlines: Tracking the Seven Sisters (2017), through paintings, weavings, song, dance, and digital media, deciding themselves what could be shown. Aṉangu senior women artists quoted by the museum describe themselves as big sisters to the young women, with a duty, as in the Seven Sisters story, to teach and protect them.

In the sky

The sisters rise into the sky as the Pleiades. Stories of sisters and the Pleiades are found in many Aboriginal traditions beyond the deserts as well, but they are told in their own ways by their own peoples.

What is not here

Parts of the Seven Sisters story are women's knowledge, or are restricted in other ways, and are not public. This entry keeps to the outline that the custodians chose to share.

Worship and cult

Temples, festivals, and practices recorded for The Seven Sisters (Minyipuru, Kungkarangkalpa)

This site does not describe ceremonies, sacred sites, or practices associated with this figure. Only the publicly shared story is summarised here; custodianship of the story belongs to the people named, and their own tellings take precedence.

In the atlas

Where The Seven Sisters (Minyipuru, Kungkarangkalpa) appears

Sources and further reading

Source notes

These references are recorded in the catalog. Their passage wording and translation have not been checked, so quotations are not displayed here.

  • National Museum of Australia, Songlines: Tracking the Seven Sisters (exhibition and catalogue, ed. Margo Neale)

    Catalog date: 2016 statement; exhibition 2017

Appears in

Ancient and classical works featuring this figure.

  • Songlines: Tracking the Seven SistersMargo Neale (ed.), with Martu, Ngaanyatjarra, and Aṉangu Pitjantjatjara Yankunytjatjara knowledge holders and artists

    the ancestral sisters (Minyipuru, Kungkarangkalpa) who flee across the deserts (throughout)

Further reading

An editorial selection, not a full bibliography. Browse every text on the Sources page.

About this entry

By Elizabeth Stein for Mythos Atlas. . Editorial notes are grounded in the site's cited sources and can be challenged through the contact page.

Parallels are editorial comparisons across traditions: a shared role does not, by itself, establish a shared origin.

Genealogy

Family tree

The Seven Sisters (Minyipuru, Kungkarangkalpa)'s parents, consorts, children and rivals, as recorded in the atlas.