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Mythos Atlas

Italian Peninsula and Mediterranean

Roman Pantheon

Illustration for Roman Pantheon

The Roman pantheon adapted Greek mythology while emphasizing duty, piety, and state religion. Romans identified their gods with Greek counterparts but maintained distinct rituals, festivals, and a practical approach to divine favor.

History and context

Religion as practice

Roman religion was above all a matter of correct practice: sacrifice, vows, festivals, and the reading of signs, carried out by magistrates and priestly colleges on behalf of the state, and by heads of households for their families. Belief mattered less than keeping faith with the gods (pax deorum) through ritual done properly. The major priesthoods, the pontifices headed by the pontifex maximus, the augurs, the Vestal Virgins, and the flamines of individual gods, were held by members of the governing elite.

Native gods and Greek stories

The earliest Roman gods, Jupiter, Mars, and Quirinus, Janus, Vesta, and many small powers of house and field, had few myths of their own. From an early date Rome absorbed Etruscan and Greek influence: the Capitoline triad of Jupiter, Juno, and Minerva had an Etruscan-style temple dedicated, by tradition, in 509 BCE, and Greek gods such as Apollo were adopted outright. Roman writers then identified their gods with the Greek Olympians (Jupiter with Zeus, Juno with Hera, Minerva with Athena), so that much of what is called Roman mythology is Greek mythology told in Latin, above all in Ovid's Metamorphoses.

Rome's own myths

The myths the Romans developed most fully were stories about Rome itself: Aeneas's flight from Troy and his arrival in Latium, told in Virgil's Aeneid; Romulus and Remus and the founding of the city, and the early kings, told by Livy and Dionysius of Halicarnassus; and the origins of festivals and cults, explained in Ovid's Fasti and Varro's lost Antiquities, known through quotations. These are political myths, tying the gods to the city's history and destiny.

Change and end

Under the empire the cult of the deified emperors joined the state religion, and cults from the eastern provinces, such as those of Isis, Cybele, and Mithras, spread widely. After Constantine's conversion Christianity was favoured, and laws under Theodosius I in the 390s banned public sacrifice; the fire of Vesta was put out and the Vestals disbanded. The date 476 used here marks the end of the western empire, not a single moment when the old religion ceased.

Cosmology

Caelum, Terra, and the Realm of Dis

Rome took over the Greek three-part cosmos and gave it Latin names. Virgil's Aeneid VI supplies the most detailed map of the Roman underworld, from the grove at Avernus to Elysium.

  1. Caelum, the sky

    Above
  2. Terra and the household

    Middle
  3. The realm of Dis

    Below
    • Orcus

      The underworld Aeneas enters through the cave at Avernus. The dead gather here, and the Manes and Lemures return to the living at set festivals.

    • Elysium

      In Virgil, a place of light inside the underworld where the blessed dead live.

      Visit Elysian Fields
    • Tartarus

      A fortress ringed by the burning river Phlegethon, where the wicked are punished.

      Visit Tartarus

Sources

Works cited

  1. Metamorphosesprimary

    Ovid

  2. Aeneidprimary

    Virgil

  3. Fastiprimary

    Ovid

About this guide

By Elizabeth Stein for Mythos Atlas. . Editorial notes are grounded in the site's cited sources and can be challenged through the contact page.

The catalog period is the span of the sources this atlas draws on, not the age of the tradition itself. Many traditions are older than their first written record, and many are still practised.

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14 in the atlas

Deities

8 retold

Stories and myths

6 in the atlas

Sacred places