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Tlingit and Haida Traditioncreationabout 2 min

Raven and the First Men

Name plate for Raven and the First Men
Illustrative imageStory illustration. Historical objects are identified separately with their museum records. Drawn by code as a decorative plate; not a historical artifact. About our images

Walking alone on the beach at Rose Spit, Haida Gwaii, Raven finds a giant clamshell full of small frightened beings and coaxes them out to become the first Haida.

An editorial retelling

The story

A Haida telling, and a sculptor's retelling

This story appears in John R. Swanton's Haida Texts and Myths (1905) as a short supplementary text that Franz Boas obtained from Charles Edenshaw, chief of the Stᴀ′stas at Masset. Edenshaw was also a celebrated carver, and his earlier miniature of the scene is what the Haida artist Bill Reid drew on when he carved the monumental sculpture The Raven and the First Men from laminated yellow cedar between 1978 and 1980; it is held at the Museum of Anthropology at the University of British Columbia. Reid's version is itself a public, widely seen retelling of Haida tradition, not a departure from it, and this narrative draws on both his and Swanton's versions.

The clamshell

Raven, walking the beach alone at Rose Spit on Haida Gwaii after a great flood has receded, notices an enormous clamshell lying in the sand, and from it come small sounds. Looking closer, he finds it full of tiny beings, the first humans, crowded together and afraid to come out into his strange new world.

Coaxing them out

Using his voice, by turns coaxing, teasing, and persuading, exactly as Raven persuades and tricks his way through every other story told of him, he convinces the beings to leave the shell's safety. Some hesitate at the edge; others emerge readily, curious about the wide world of sea, sky, and forest Raven describes to them. Once out, they become the first Haida people, beginning their life on Haida Gwaii.

The Sculpture

Reid's work, about two metres tall, shows Raven perched on a half-open clamshell with the small figures squeezing out beneath him, some eager and some afraid. It was unveiled in 1980 in its own rotunda at the Museum of Anthropology in Vancouver, where it remains, and it appears on the reverse of the Canadian twenty-dollar note issued from 2004. Reid and the poet Robert Bringhurst later retold the story in The Raven Steals the Light (1984). Haida tellers tell of the first people in more than one way, and this is one of those tellings, not the only account of Haida origins.

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Highlights

Raven finds a clamshell full of small frightened beings on the beach at Rose Spit and coaxes them out into the world, where they become the first Haida.

Why it matters

A Haida account of human origins on Haida Gwaii, brought to wide public attention through Bill Reid's sculpture at the Museum of Anthropology, and told by Haida people as living tradition.

Quick answers

What is the story of Raven and the First Men about?
Walking alone on the beach at Rose Spit, Haida Gwaii, Raven finds a giant clamshell full of small frightened beings and coaxes them out to become the first Haida.
What themes does Raven and the First Men explore?
The atlas lists these themes for Raven and the First Men: curiosity overcoming fear and Raven as a maker of the world through persuasion rather than force.

Sources and further reading

By Elizabeth Stein for Mythos Atlas. . Editorial notes are grounded in the site's cited sources and can be challenged through the contact page.

Works cited

  1. Haida Texts and Myths, Skidegate Dialectprimary

    John R. Swanton · Supplementary text obtained by Franz Boas from Charles Edenshaw (Masset), printed after the House-point families' story (note 657)

  2. The Raven and the First Men (sculpture)secondary

    Bill Reid, drawing on Charles Edenshaw's earlier carving

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No publication date is recorded for this page, so each citation uses n.d. and today's date as the access date.

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