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Source recordAncient text

Book of the Dead

Various Egyptian priests · c. 1550-50 BCE · Ancient Egyptian (Hieroglyphic)

Ancient text

Book of the Dead

Various Egyptian priests

c. 1550-50 BCE

A collection of funerary spells intended to assist the deceased in the afterlife. Major source for Egyptian underworld mythology and the weighing of the heart ceremony.

About this work

A collection of funerary spells intended to assist the deceased in the afterlife. Major source for Egyptian underworld mythology and the weighing of the heart ceremony.

Where to start

Begin with Spell 125 (the Judgment and Weighing of the Heart), the moral core of Egyptian religion; then read Spell 1 for the tomb procession and Spell 110 for the vision of paradise in Aaru.

Figures in the text

Heroes and divinities who feature prominently, with where they appear.

Key scenes

Turning points of the work, in reading order.

  1. The Negative Confession (Declaration of Innocence)

    Spell 125

    Standing before forty-two divine judges in the Hall of Ma'ati, the deceased recites specific denials of sins, demonstrating a life lived in harmony with Ma'at.

  2. The Weighing of the Heart

    Spell 125 Papyrus of Ani

    Anubis balances the deceased's heart (ib) against the feather of truth; Thoth stands poised with stylus and palette while Ammit waits to devour the sinful.

  3. Entrance into the Field of Reeds (Aaru)

    Spell 110

    Declared 'true of voice' (maa kheru), the spirit sails into the fertile celestial paradise to plow, reap, and feast beside Osiris forever.

Passages

Direct quotations are distinguished from editorial paraphrases and records awaiting verification.

Direct quotation

“My heart my mother, my heart my mother, my heart my coming into being! May there be nothing to resist me at [my] judgment;”

Book of the Dead, Papyrus of Ani · Chapter XXXB (30B), Plate III, opening

Translation: E. A. Wallis Budge

1895; Sacred Texts transcription. Closing semicolon retained; bracketed text belongs to the edition. English transcription checked 2026-09-23. Replaces prior unverified wording; no original-language text is supplied or certified.

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Featured in The Weighing of the Heart Ceremony →
Direct quotation

“Hail, lord of faces, who comest forth from Tchefet, I have never judged hastily.”

Book of the Dead · Chapter CXXV (125), Plate XXXII, statement 31 in the Nebseni appendix

Translation: E. A. Wallis Budge

1895; Sacred Texts transcription. This statement comes from the appended Nebseni version, not Ani’s wording. English transcription checked 2026-09-23. Replaces prior unverified wording; no original-language text is supplied or certified.

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Featured in The Weighing of the Heart Ceremony →
Direct quotation

“Homage to thee, O thou glorious Being, thou who art dowered [with all sovereignty].”

Book of the Dead, Hymn to Ra (Papyrus of Nekht) · Sheet 21, opening sentence

Translation: E. A. Wallis Budge

Budge translation reproduced by the Internet Ancient History Sourcebook; the brackets are part of that transcription. English excerpt checked against the cited transcription on 2026-09-23; no original-language text is supplied. This replaces the previously unverified passage.

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Direct quotation

“Anubis, who dwelleth in the region of the embalmed, the chief of the holy house, layeth his hands upon the lord of life”

Book of the Dead, Papyrus of Nebseni · Chapter 151, opening clause in note 1 to Plates XXXIII–XXXIV

Translation: E. A. Wallis Budge

Budge, The Book of the Dead: Papyrus of Ani (1895), note quoting the Nebseni papyrus; excerpt stops before the parenthetical gloss. English excerpt checked against the cited transcription on 2026-09-23; no original-language text is supplied. This replaces the previously unverified passage.

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Stories drawn from it

Retellings in the atlas that quote or cite this work.

About this record

By Elizabeth Stein for Mythos Atlas. . Editorial notes are grounded in the site's cited sources and can be challenged through the contact page.

Dates and authorship follow standard scholarly references; for many ancient works both are approximate or disputed.