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Mythos Atlas

Mesopotamian Pantheonmyth

Inanna's Descent to the Underworld

Illustration of the myth "Inanna's Descent to the Underworld" from the Mesopotamian Pantheon
Illustrative imageStory illustration. Historical objects are identified separately with their museum records. Generated with an AI image model; not a historical artifact. About our images

The Queen of Heaven descends to the underworld to confront her sister Ereshkigal, passing through seven gates where she is stripped of her power at each one. She dies and hangs upon a hook, and is only revived through cunning intervention.

An editorial retelling

The story

The Decision to Descend

Inanna, Queen of Heaven, Lady of the Morning and Evening Star, goddess of love and war, turned her attention to the Great Below. Her sister Ereshkigal ruled there as Queen of the Dead, and Inanna desired to witness the funeral rites of Ereshkigal's husband, the Bull of Heaven, whom Gilgamesh and Enkidu had slain.

But Inanna was the goddess of ambition. Perhaps she sought to extend her dominion even over death. Perhaps she wished to challenge her sister's power. Perhaps she simply could not bear any realm where she did not rule.

From the Great Above she opened her ear to the Great Below. From the Great Above the goddess opened her ear to the Great Below. From the Great Above Inanna opened her ear to the Great Below.

She gathered the seven me, the divine powers of civilization, and wore them as jewelry and garments. She told her minister Ninshubur: "If I do not return in three days, go to the father gods and beg for my rescue."

The Seven Gates

Inanna approached the underworld and pounded on the gate, demanding entrance as her right. Neti, the gatekeeper, reported her arrival to Ereshkigal. The Queen of the Dead instructed him to admit her sister, but at each of the seven gates, one article of her divine regalia must be removed.

At the first gate, the crown was removed from her head. "What is this?" Inanna asked. "Be silent, Inanna. The ways of the underworld are perfect. They may not be questioned."

At the second gate, her lapis lazuli measuring rod and line were taken. At the third, the beads from her neck. At the fourth, the ornaments from her breast. At the fifth, her gold ring. At the sixth, her breastplate. At the seventh gate, the royal robe was removed from her body.

Naked, stripped of all power, Inanna entered her sister's throne room.

The Eyes of Death

When Inanna tried to ascend to Ereshkigal's throne, the Anunnaki, the seven judges of the underworld, fixed her with the eyes of death. They pronounced judgment against her. Ereshkigal struck her dead.

The corpse of the Queen of Heaven was hung on a hook, like a piece of rotting meat.

The Rescue

After three days, Ninshubur did as commanded. She went first to Enlil, who refused to help. Then to Nanna, who also refused. Finally to Enki, the wise, who took pity.

Enki created two beings from the dirt beneath his fingernails: the kurgarra and galatur, creatures neither male nor female, too small to be noticed. He gave them the food of life and the water of life and sent them to the underworld.

They slipped through the gates unseen and found Ereshkigal alone, groaning in the pains of labor (or grief). They echoed her groans, showing her sympathy. Touched by their compassion, she offered them any gift. They asked for the corpse on the hook.

Sixty times the food of life, sixty times the water of life, they sprinkled upon the corpse. Inanna arose.

The Substitute

But the laws of the underworld are absolute. No one leaves without providing a substitute. The demons of the underworld, the galla, accompanied Inanna back to the upper world, seeking her replacement.

First they came upon Ninshubur, dressed in mourning rags. The demons would take her, but Inanna refused. "She saved my life. She is loyal." They came upon Shara, then Lulal, Inanna's sons, also in mourning. "They grieve for me. They shall not go."

Then they came to Uruk, and there sat Dumuzi, Inanna's husband, dressed in magnificent robes, sitting on Inanna's own throne. He had not mourned. He had seized power.

Inanna fixed him with the eye of death. "Take him," she said.

The Eternal Cycle

Dumuzi fled, transformed into animals, hid with his sister Geshtinanna, but the demons always found him. In the end, his sister offered to take his place for half the year. So it was decreed: six months in the underworld for Dumuzi, six months for Geshtinanna, an eternal cycle.

This is why the land dies in summer, when Dumuzi is below, and revives in spring when he returns. This is why we mourn Tammuz in the sixth month, the wailing for the shepherd who went to the land of no return.

And Inanna returned to her throne, wiser now, having seen the realm that even she could not conquer, carrying within her the knowledge of death that makes love so precious.

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Highlights

Inanna is stripped of her power at each of seven gates and killed by Ereshkigal. Enki sends creatures to revive her. She must provide a substitute and chooses her husband Dumuzi. He and his sister alternate spending half the year in the underworld.

Why it matters

This myth is among the oldest stories of the journey to the underworld, predating Greek myths of Orpheus and Persephone. It explains the seasonal cycle through the death and revival of a vegetation deity. The ritual mourning for Tammuz/Dumuzi was practiced throughout the ancient Near East and is even referenced in the Bible (Ezekiel 8:14).

Quick answers

What is the story of Inanna's Descent to the Underworld about?
The Queen of Heaven descends to the underworld to confront her sister Ereshkigal, passing through seven gates where she is stripped of her power at each one. She dies and hangs upon a hook, and is only revived through cunning intervention.
What themes does Inanna's Descent to the Underworld explore?
The atlas lists these themes for Inanna's Descent to the Underworld: death and rebirth, the price of ambition, loyalty and betrayal, and the seasons.

One myth, many tellings

Inanna in Sumerian and Ishtar in Akkadian

The Akkadian Descent of Ishtar is a shorter, later retelling. It keeps the seven gates and the rescue, but drops the choosing of Dumuzi as a substitute and the half-year arrangement that ends the Sumerian poem.

  1. 1 · 1750 BCEInanna's Descent to the Netherworld
  2. 2 · 900 BCEThe Descent of Ishtar
  • Told this way
  • Told differently
  • Not narrated here
  • Text lost or broken
  • Shaded source: comparison baseline

1. Inanna's Descent to the Netherworld

Sumerian poem

Old Babylonian copies, c. 1900-1600 BCE

Primary source · comparison baseline

Why she goes down
Told this wayHer stated reason is the funeral rites of Gugalanna, Ereshkigal's husband.
Stripped at seven gates
Told this way
Her death below
Told this wayEreshkigal's gaze kills her; her corpse hangs on a hook.
The rescue
Told this wayEnki makes two beings from the dirt under his nails, bearing the food and water of life.
Dumuzi as substitute
Told this wayShe gives up Dumuzi, who did not mourn her.
The half-year arrangement
Told this wayDumuzi and his sister Geshtinanna each spend half the year below.

2. The Descent of Ishtar

Akkadian poem

Middle and Neo-Assyrian copies, late 2nd to 7th century BCE

Primary source

Why she goes down
Told differentlyNo reason given; she threatens to break the gate and raise the dead.
Stripped at seven gates
Told this way
Her death below
Told differentlyNamtar strikes her with sixty diseases.
The rescue
Told differentlyEa creates Asushunamir to charm Ereshkigal.
Dumuzi as substitute
Told differentlyTammuz (Dumuzi) appears only at the end, in instructions for his mourning rites.
The half-year arrangement
Not narrated here

Dates are approximate. For manuscripts copied long after composition, the chronology uses the estimated date of the telling.

The myth in art

Documented objects and later interpretations. Dates refer to the objects, not the events of the story.

Sources and further reading

By Elizabeth Stein for Mythos Atlas. . Editorial notes are grounded in the site's cited sources and can be challenged through the contact page.

Works cited

  1. Descent of Ishtar (Akkadian version)primary

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