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Mythos Atlas

Scandinavia

Norse Pantheon

Illustration for Norse Pantheon

The Norse pantheon includes the Aesir and Vanir gods of Scandinavian mythology, centered in Asgard and featuring stories of creation, heroism, and the prophesied end of the world known as Ragnarok.

History and context

Late sources for an older religion

Almost everything told about the Norse gods comes from Iceland in the 13th century, two hundred years after the island's conversion to Christianity around 1000 CE. The Poetic Edda, a collection of anonymous mythological and heroic poems preserved mainly in the Codex Regius (c. 1270), includes Völuspá, the seeress's account of the world from creation to Ragnarök, and Hávamál, the sayings of Odin. Some of these poems are probably much older than the manuscript. Snorri Sturluson's Prose Edda (c. 1220) is a handbook for poets that retells the myths in systematic prose; it is the source of many familiar details, but Snorri was a Christian scholar organising inherited material, and scholars read him with care.

Other witnesses

Older and independent evidence is patchier: skaldic poems composed for Viking-age rulers and quoted in the sagas, runic inscriptions, picture stones on Gotland, carvings such as the Thor fishing stones at Altuna and Gosforth, place names across Scandinavia that preserve the names of Thor, Odin, Frey, and Ullr, Adam of Bremen's description (c. 1075) of a temple at Uppsala with images of Thor, Wodan, and Fricco, and, much earlier, Tacitus's Germania (98 CE) on the religion of the continental Germanic peoples. Saxo Grammaticus's Latin Gesta Danorum (c. 1200) retells some of the same figures as ancient kings.

Æsir and Vanir

The sources describe two groups of gods, the Æsir (Odin, Thor, Frigg, Týr, Baldr, and others) and the Vanir (Njörðr, Freyr, Freyja), associated with fertility, wealth, and the sea. They fought a war that ended in a truce and an exchange of hostages, after which the Vanir lived among the Æsir. Whether that war reflects a historical merging of cults is an old scholarly question with no settled answer.

The world and its end

The cosmos is organised around the ash Yggdrasil and its nine worlds. Völuspá tells how the gods order the world from the body of the giant Ymir, how Baldr is killed, and how Ragnarök, the doom of the gods, will bring Fenrir, the Midgard Serpent, Surtr's fire, and the deaths of Odin and Thor, before a green earth rises again from the sea. How much of that ending reflects Christian influence is debated. Religious practice itself, blót sacrifice, feasting, and oath-taking, is known mainly from saga descriptions written long after.

Cosmology

Yggdrasil and the Nine Worlds

An ash tree, Yggdrasil, holds the worlds together. Its roots reach the well of fate, the frost giants, and the cold dark of Niflheim, while a dragon gnaws below and an eagle sits at the crown.

Yggdrasil:

  1. Upper worlds

    Above
  2. Middle worlds

    Middle
    • MidgardMiðgarðr

      The world of humans, fenced from the giants and encircled by the sea serpent Jörmungandr.

      Visit Midgard
    • JotunheimJötunheimr

      Land of the jötnar, the giants, rivals and in-laws of the gods.

      Visit Jotunheim
    • SvartalfheimSvartálfaheimr

      Underground home of the dark elves and dwarves, makers of the gods' treasures.

      Visit Svartalfheim
    • MuspelheimMúspellsheimr

      The realm of fire in the south, guarded by Surtr, whose host will burn the world at Ragnarök.

      Visit Muspelheim
  3. Lower worlds

    Below
    • NiflheimNiflheimr

      Primordial mist and ice, where the spring Hvergelmir feeds the rivers and Níðhöggr gnaws the root of the tree.

      Visit Niflheim
    • Hel

      Realm of the dead who did not fall in battle, ruled by Loki's daughter Hel. Baldr went here after his death, and Völuspá says he and his slayer Höðr will return from it after Ragnarök.

      Visit Helheim

Sources

Works cited

  1. Poetic Eddaprimary

    Anonymous

  2. Prose Eddaprimary

    Snorri Sturluson

About this guide

By Elizabeth Stein for Mythos Atlas. . Editorial notes are grounded in the site's cited sources and can be challenged through the contact page.

The catalog period is the span of the sources this atlas draws on, not the age of the tradition itself. Many traditions are older than their first written record, and many are still practised.

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