Central Mexico
Aztec Pantheon

A complex pantheon centered on duality, sacrifice, and the sun, demanding blood sacrifice to sustain the cosmos.
History and context
The Mexica and their neighbours
'Aztec' usually refers to the Nahuatl-speaking peoples of central Mexico and especially to the Mexica, who founded Tenochtitlan on an island in Lake Texcoco, traditionally in 1325, and, through the Triple Alliance with Texcoco and Tlacopan, dominated much of Mesoamerica until the Spanish conquest in 1521. Their religion shared a great deal with other Mesoamerican peoples: the 260-day ritual calendar, the ballgame, a layered cosmos of heavens and underworld, and the feathered serpent.
The sources
Only a handful of pre-conquest manuscripts survive, among them ritual and divinatory books of the Borgia Group from central and southern Mexico. Most of what is known was recorded after 1521. The most important source is the General History of the Things of New Spain, the Florentine Codex, compiled in Nahuatl and Spanish between the 1540s and about 1577 by the Franciscan Bernardino de Sahagún with Nahua scholars and elders. Other key texts include the Leyenda de los Soles (1558), the Historia de los mexicanos por sus pinturas, the Histoyre du Mechique, and illustrated colonial codices such as the Codex Borbonicus and Codex Mendoza. All were produced under Spanish rule, often by missionaries seeking to understand and suppress the old religion, and their framing needs care.
Gods and the Fifth Sun
The cosmology tells of four earlier worlds, or suns, each destroyed, before the present Fifth Sun was created at Teotihuacan when the gods Nanahuatzin and Tecuciztecatl threw themselves into a fire. The gods then gave their own blood to set the sun moving, and humans were thought to owe a debt repaid through offerings, including blood and, in state ritual, human sacrifice. Huitzilopochtli, the Mexica patron, and Tlaloc, god of rain, shared the Templo Mayor; Quetzalcoatl, Tezcatlipoca, and many others were worshipped through a year of monthly festivals.
After 1521
The temples were destroyed, but Nahuatl, the calendar's memory, and many practices continued in altered forms, and Nahua communities today are the descendants of the people who kept these traditions.
Cosmology
Thirteen Heavens and Nine Levels of Mictlan
Aztec sources describe thirteen heavens above the earth and nine levels of the underworld below. The earth itself is the body of Tlaltecuhtli, torn apart to make the land.
The five world trees: · Four trees stand at the corners of the world and one at the center, holding up the sky.
Omeyocan, the thirteenth heaven
BeyondOmeyocan
The Place of Duality, the highest heaven, home of the creator pair Ometecuhtli and Omecihuatl, whom some scholars treat as one dual god, Ometeotl.
The upper heavens
AboveHeaven of the SunTonatiuh Ilhuicac
The eastern paradise where warriors who died in battle escort the sun from dawn to noon.
Tamoanchan
A paradise of origins, where the gods made humanity and where flowers and maize were born.
Visit TamoanchanThe starry and fiery heavens
Layers holding the moon, the stars, the planet Venus, and comets.
Tlalticpac, the earth
MiddleTlalticpac
The surface of the earth, made from the monster Tlaltecuhtli, whose hair became plants and whose eyes became springs.
Tlalocan
The green paradise of the rain god, for those who died by drowning, lightning, or water-borne disease.
Visit Tlalocan
Mictlan, nine levels down
BelowThe eight trials
A four-year journey past crashing mountains, obsidian winds, and a river crossed with the help of a dog.
Mictlan Opochcalocan
The ninth and deepest level, where the soul finally rests before Mictlantecuhtli and Mictecacihuatl.
Visit Mictlan
Sources
Works cited
About this guide
By Elizabeth Stein for Mythos Atlas. About the author. Editorial notes are grounded in the site's cited sources and can be challenged through the contact page.
The catalog period is the span of the sources this atlas draws on, not the age of the tradition itself. Many traditions are older than their first written record, and many are still practised.
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Deities
Quetzalcoatlwind, wisdom
Huitzilopochtlisun, war
Tezcatlipocanight, sorcery
Tonatiuhsun, warriors
Coatlicueearth, fertility
Xochiquetzalbeauty, flowers
Tlazolteotlpurification, filth
Xolotllightning, twins
Coyolxauhquimoon, night
Xiuhtecuhtlifire, time
Tlaltecuhtliearth, fertility
Mictecacihuatlthe underworld, death
OmeteotlDual Primordial Creator
Mayahuelmaguey, pulque
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Stories and myths
The Legend of the Five SunscreationThe Aztec creation myth describing four previous worlds that were destroyed, and the creation of the current fifth world by the sacrifice of the gods.
The Birth of HuitzilopochtlicreationCoatlicue, the earth mother, becomes mysteriously pregnant after a ball of feathers falls upon her. Her daughter Coyolxauhqui leads the Centzon Huitznahua in an attack, but Huitzilopochtli emerges fully armed to defend his mother.
Quetzalcoatl's Fall and ExiletragedyThrough cunning tricks and dark sorcery, Tezcatlipoca causes the righteous priest-king Quetzalcoatl to break his sacred vows, leading to his shame, exile, and promise to return.
The Journey to MictlandeathThe perilous four-year journey of the soul through the nine levels of the Aztec underworld, facing wind of obsidian knives, crushing mountains, and the final crossing to rest before Mictlantecuhtli.
The Creation of HumanitycreationAfter the Fifth Sun is created, Quetzalcoatl descends to Mictlan, the underworld, to steal the bones of previous humans and create a new humanity, proving the gods' willingness to sacrifice for their creation.
The Flaying of Xipe TotecoriginXipe Totec, the Flayed Lord, skins himself alive so that maize and other plants can grow from the earth, establishing the connection between death, renewal, and agricultural fertility.
Xochiquetzal and the Forbidden FruittransformationThe beautiful flower goddess Xochiquetzal dwells in paradise but is tempted to eat forbidden fruit. Her transgression brings both suffering and certain arts to humanity.
The Four Hundred RabbitsoriginThe goddess Mayahuel discovers the maguey plant and its intoxicating drink pulque. Her four hundred rabbit children, the Centzon Totochtin, become the gods of drunkenness, each representing a different degree of intoxication.
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