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Source recordAncient text

Samguk Yusa (Memorabilia of the Three Kingdoms)

Iryeon (Buddhist monk) · c. 1281-1289 · Literary Chinese

Ancient text

Samguk Yusa (Memorabilia of the Three Kingdoms)

Iryeon (Buddhist monk)

c. 1281-1289

A collection of histories, legends, and Buddhist tales of Korea's ancient kingdoms compiled by the monk Iryeon, preserving the earliest surviving text of the Dangun myth (citing an older 'Old Record'), the birth of Silla's founder Bak Hyeokgeose, and the story of the flute Manpasikjeok.

About this work

A collection of histories, legends, and Buddhist tales of Korea's ancient kingdoms compiled by the monk Iryeon, preserving the earliest surviving text of the Dangun myth (citing an older 'Old Record'), the birth of Silla's founder Bak Hyeokgeose, and the story of the flute Manpasikjeok.

Where to start

Ha Tae-hung and Grafton Mintz's 1972 English translation is the standard complete version; begin with Book 1's opening entries on Gojoseon and the founders of the Three Kingdoms, then Book 2's Silla legends.

Figures in the text

Heroes and divinities who feature prominently, with where they appear.

Key scenes

Turning points of the work, in reading order.

  1. The Bear and the Tiger

    Book 1, Gojoseon

    A bear and a tiger ask Hwanung to make them human; only the bear keeps the taboo of mugwort, garlic, and darkness, and becomes the mother of Dangun.

  2. The Egg at Najeong

    Book 1, Silla's founder

    A white horse kneels by the Najeong well beside an egg from which the founder of Silla is born.

  3. The Flute that Calms Ten Thousand Waves

    Book 2, Manpasikjeok

    A sea dragon gives King Sinmun a bamboo from which a flute is made that ends war, disease, drought, and storms.

Stories drawn from it

Retellings in the atlas that quote or cite this work.

About this record

By Elizabeth Stein for Mythos Atlas. . Editorial notes are grounded in the site's cited sources and can be challenged through the contact page.

Dates and authorship follow standard scholarly references; for many ancient works both are approximate or disputed.