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Mythos Atlas

Side by sideParent and child

Dangun vs Hwanung

Dangun
DangunKorean
Hwanung
HwanungKorean

Dangun and Hwanung are recorded as parent and child in the Korean Tradition.

At a glance

Dangun and Hwanung compared
DangunHwanung
TraditionKorean TraditionKorean Tradition
Domainsthe founding of Joseon, the Korean people, the mountains (as mountain god)heaven's rule on earth, agriculture, life and law
Symbolsthe altar tree, Mount Asadal, the altar of Chamseongdanthe sacred altar tree (Sindansu), the three heavenly seals, the Wind Earl, Rain Master, and Cloud Master
Also calledDangun Wanggeom, TangunHwanung Cheonwang (Heavenly King Hwanung)

Where they meet

The atlas records no domain or symbol that Dangun and Hwanung share.

They are compared because of how the myths connect them, not because of what they rule.

Where they part

Only Dangun

Associated with the founding of joseon, the korean people, and the mountains (as mountain god).

Only Hwanung

Associated with heaven's rule on earth, agriculture, and life and law.

How each was worshipped

Dangun

Cult sites
Chamseongdan, the stone altar on Mount Mani, Ganghwa Island, traditionally said to have been built by Dangun for sacrifices to heaven.; Samseongsa shrine at Guwol-san and other historic Dangun shrines; the modern Mausoleum of Dangun near Pyongyang (North Korea, 1994).
Festivals
National Foundation Day (Gaecheonjeol, 3 October) in South Korea, with a heaven rite at Chamseongdan.

Rites to Dangun as national ancestor were held by Joseon kings and revived by Daejonggyo in the twentieth century; the torch of the Korean National Sports Festival is lit at Chamseongdan.

Hwanung

Cult sites
Honored with Hwanin and Dangun at shrines of Daejonggyo and in modern Dangun rites.
Festivals
National Foundation Day (Gaecheonjeol, 3 October), which commemorates the 'opening of heaven' by his descent.

Venerated in modern Dangun-centered religious movements; the sacred tree and mountain of his descent echo village guardian trees and mountain altars in Korean folk religion.

The two figures

Korean Tradition

Dangun

The son of the heavenly Hwanung and the bear-woman Ungnyeo, who in the Samguk Yusa founds the kingdom of Joseon (Gojoseon), rules for fifteen hundred years, and at last becomes a mountain god; honored as the founding ancestor of the Korean people.

Son of Hwanung, the son of the Lord of Heaven, and Ungnyeo, the bear who became a woman (Samguk Yusa, Book 1).

Iryeon's *Samguk Yusa* gives two accounts. From a Chinese 'Book of Wei' it quotes that two thousand years earlier Dangun Wanggeom set his capital at Asadal and founded a state called Joseon, in the time of the sage-emperor Yao. From the Korean 'Old Record' it tells the full myth: born of Hwanung and Ungnyeo, Dangun made his capital at Pyongyang in the fiftieth year of Yao, called his state Joseon, later moved to Asadal on Mount Baegak, and ruled for fifteen hundred years. When the Zhou king enfeoffed Gija in Joseon, Dangun moved away, returned to Asadal, and became a mountain god, having lived 1,908 years. Iryeon himself notes that the traditional year does not match Yao's reign.

Read the full Dangun entry

Korean Tradition

Hwanung

The son of the Lord of Heaven who descends to Mount Taebaek with three thousand followers and the ministers of wind, rain, and clouds, founds the 'City of God' beneath the sacred altar tree, and fathers Dangun with the bear-woman Ungnyeo.

Son of Hwanin, the Lord of Heaven, by a secondary wife (Samguk Yusa, Book 1).

In the *Samguk Yusa* Dangun myth, Hwanung, son of the Lord of Heaven, receives three heavenly seals from his father and descends with three thousand followers to the summit of Mount Taebaek, beneath the sacred altar tree (*Sindansu*). He calls the place Sinsi, the 'City of God', and is called Heavenly King Hwanung. With the Wind Earl, the Rain Master, and the Cloud Master, he takes charge of grain, life, sickness, punishment, and good and evil, some three hundred and sixty human affairs in all, and rules and civilizes the world.

Read the full Hwanung entry
About this comparison

Comparisons pair figures that play a similar role across traditions, or that the myths connect within one. A shared role does not, by itself, establish a shared origin.