Skip to main content
Mythos Atlas

Iranian plateau and Central Asia

Persian (Iranian) Tradition

Illustration for Persian (Iranian) Tradition

The divine beings and heroes of ancient Iran in two distinct layers: the Zoroastrian scripture of the Avesta, with Ahura Mazda, Angra Mainyu, Mithra, and Anahita, and Ferdowsi's Shahnameh, which a thousand years later retold Iran's primeval kings and heroes as epic.

History and context

Two traditions, kept apart

This entry draws on two bodies of material that should not be blurred together. The first is the Avesta, the scripture of Zoroastrianism, composed in Avestan, an Old Iranian language close to the Sanskrit of the Rigveda. Its oldest part, the Gathas, are seventeen hymns attributed to the prophet Zarathushtra; their date is disputed, with most scholars placing them somewhere between about 1500 and 1000 BCE on linguistic grounds and others later. The younger parts include the Yashts, hymns to individual divine beings such as Mithra, Anahita, and the star Tishtrya, and the Vendidad, a book of purity law that preserves myths of creation and of the first king, Yima. The Avesta was transmitted orally for many centuries, written down in a script devised in the Sasanian period, and survives only in medieval manuscripts. Middle Persian books of the ninth and tenth centuries CE, above all the Bundahishn, systematize its cosmology.

The second is the Shahnameh ('Book of Kings'), the Persian epic completed by Ferdowsi in 1010 CE, in Islamic-era Iran, from older chronicles of the Iranian kings. It contains no gods: Ferdowsi was a Muslim, and the Avestan figures reappear transformed into kings and villains, so that Yima becomes King Jamshid and the three-headed dragon Azhi Dahaka becomes the serpent-shouldered tyrant Zahhak. Its great heroes, Rostam above all, have no clear Avestan counterparts. Each record on this site says which layer it comes from.

One God, and beings worthy of worship

Zoroastrianism is a living religion, and 'pantheon' fits it only loosely. Zoroastrians today regard Ahura Mazda, the Wise Lord, as the one uncreated God. The Amesha Spentas ('Beneficent Immortals') such as Spenta Armaiti are his emanations or aspects, and the yazatas ('beings worthy of worship') such as Mithra, Anahita, and Tishtrya are divine beings created by him and honored in their own hymns. Opposed to this good creation is Angra Mainyu (Ahriman), the Hostile Spirit, who is not a god to be worshipped but the source of death, lies, and every corruption. At the heart of the Gathas is the choice between truth (asha) and the lie (druj) that each person must make.

Kings and inscriptions

The Achaemenid kings (550-330 BCE) credited their rule to 'the favor of Ahuramazda' in inscriptions at Behistun, Persepolis, and Naqsh-e Rostam; Artaxerxes II (r. 404-358 BCE) is the first king whose inscriptions also name Anahita and Mithra. Herodotus reports that the Persians worshipped without temples or statues, on the tops of mountains. Under the Sasanians (224-651 CE) Zoroastrianism became a state church with great fire temples, and a speculative current, Zurvanism, made Infinite Time the father of both spirits. After the Arab conquest the religion became a minority in Iran; many Zoroastrians migrated to India, where they are known as Parsis. Zoroastrian communities survive today in Iran, India, and a worldwide diaspora, and festivals rooted in the old calendar, above all Nowruz, the new year at the spring equinox, are celebrated across the Iranian world.

Cautions

The winged figure in a disc on Achaemenid reliefs, now called the Faravahar, is popularly identified with Ahura Mazda, but scholars disagree whether it represents the god, the royal glory, or the king's guardian spirit. The Mithras of the Roman mystery cult shares a name with the Iranian Mithra, but how much, if anything, of Iranian belief lay behind the Roman mysteries remains debated.

Cosmology

Endless Light, the Seven Regions, and the House of the Lie

A world between light and darkness: the House of Song above, the stations of stars, moon, and sun, the seven regions of the earth around the world-mountain Hara and the sea Vouru-Kasha, the Chinvat Bridge that every soul must cross, and the House of the Lie below.

Hara Berezaiti (High Hara):

  1. Garo-demana: The House of Song

    Beyond
    • The House of Song and the Endless LightsGarō.dəmāna / Garōdmān

      The highest heaven, the dwelling of Ahura Mazda and the Beneficent Immortals, reached by righteous souls after the bridge.

  2. The Stations of the Sun, Moon, and Stars

    Above
    • The Heavens

      The spheres of the stars, moon, and sun, crossed by Mithra's chariot and by Tishtrya, the rain-star, on his flight to the sea.

  3. The Seven Regions of the Earth

    Middle
    • Xvaniratha and the Six Outer Regionshaft kišwar

      The inhabited central region and the six surrounding ones, ringed by mountains, where fire burns on the altars and Yima once ruled a deathless golden age.

      Visit Mount Damavand
  4. The Chinvat Bridge

    Beyond
    • The Bridge of the SeparatorCinvatō Pərətu

      The crossing every soul makes on the fourth dawn after death, judged by Mithra, Sraosha, and Rashnu: broad for the righteous, narrow as a blade for the wicked.

      Visit Chinvat Bridge
  5. The Sea Vouru-Kasha

    Waters
    • Vouru-Kasha, the Wide-Bayed SeaVouru.kaša

      The cosmic sea into which Anahita's heavenly river pours and from which all waters flow, where Tishtrya battles the drought demon and the tree of all seeds stands.

  6. Drujo-demana: The House of the Lie

    Below
    • The House of the LieDrūjō.dəmāna / Dušox

      The place of darkness, stench, and torment into which the wicked fall from the bridge, the realm of the Hostile Spirit and his demons until the final renewal.

Sources

Works cited

  1. The Zend-Avesta, Parts I-II (Vendidad; Yashts)primary

    trans. James Darmesteter

  2. The Zend-Avesta, Part III (Yasna, Gathas)primary

    trans. L. H. Mills

  3. Bundahishnprimary

    trans. E. W. West

  4. Shahnamehprimary

    Abolqasem Ferdowsi; trans. A. G. and E. Warner; Dick Davis

  5. Behistun Inscriptionprimary

    Darius I

  6. A History of Zoroastrianismsecondary

    Mary Boyce

About this guide

By Elizabeth Stein for Mythos Atlas. . Editorial notes are grounded in the site's cited sources and can be challenged through the contact page.

The catalog period is the span of the sources this atlas draws on, not the age of the tradition itself. Many traditions are older than their first written record, and many are still practised.

11 in the atlas

Divine Beings & Kings

6 retold

Stories and myths

6 in the atlas

Sacred places